Monday, August 18, 2008

Custom Machinima, The Escape

THE ESCAPE

My documentary emphasises porosity through the theme of liberation. My protagonists are balls that are seamlessly imprisoned, entrapped by our antagonists: soldiers and a warden. I have implied people as a coinciding element to convey porosity- they are my objects to be manipulated and tested, not tables, chairs or other lifeless items. I have tested explosions through both friction and detonations, resulting in symmetrical and rhythmic intensities ranging in size and impact.



Soundtrack: Mozart - Carmina Burana

Found Machinima

My found machinima plays on three significant elements of porosity: rhythm, liberation and symmetry. I have looked for these distinct qualities deliberately, as I intend to incorporate them into my documentary. My composition shows spectacular variations of porosity on a physical front; I, however intend to elaborate further on a theoretical medium and imply physically and metaphorically appropriate conventions.




References:

Crysis Physics destruction - from: ExpendableAsset84
http://www.youtube.com/watch?v=V-y_eCsYExk&eur

Crysis Physics 3'000 barrel explosion - from: sampling666
http://www.youtube.com/watch?v=YG5qDeWHNmk&fe
ature=related

Best Crysis physics yet! - from:b2dmastersniper
http://www.youtube.com/watch?v=vuHd4hBJdfk

Soundtrack: DJ Tiesto - Bass

Peer Review



Porosity, Bouncy Balls

This arrangement displays a seamless variation to porosity. Many of the videos I have collected from YouTube display faultless and rhythmic networks of objects. I have tried to display this here through bouncy balls that have lost their gravitational properties. More significantly, the balls are entrapped in a room that is not directly visible; that is the walls and roof are defined through the relation between the balls and their connection to the invisible surfaces capturing them. The explosion plays a significant part in contributing to the intensity inside the room. Porosity is seen here and can be drawn from Richard Goodwin’s definition of “re-negotiating spaces”; both the balls and surrounding surfaces are dependant of each other.


Porosity, Like Clockwork

I have created an arrangement that very much resembles a cog system. The barrels are the teeth that interweave as they spin. If one barrel was to explode, slow down, or lose alignment, all the other barrels will blow also; and hence introducing an element of dependency to porosity.